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c. 1445 – May 17, 1510. Italian painter.

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Titian
The Burial of Christ

ID: 98203

Titian The Burial of Christ
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Titian The Burial of Christ


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Titian

Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.  Related Paintings of Titian :. | Alessandro Cardinal Farnese | St Jerome | Portrat des Papstes Paulus III mit Kardinal Alessandro Farnese und Herzog Ottavio Farnese. | Saint John the Baptist | Balbi Holy Conversation |
Related Artists:
Jacopo Bassano
Italian c1510-1592 Jacopo Bassano Gallery He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.
John Ballantyne
British Portrait painter , (1815-1897) was an English ornithologist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" was pivotal in the inception of Darwin's theory of evolution by natural selection, though they are barely mentioned in Charles Darwin's book, On the Origin of Species.Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy and in 1824 he set himself up in business in London as a taxidermist
Hendrick Danckerts
(c.1625 - 1680) was a Dutch Golden Age landscape painter and engraver. Danckerts was born in The Hague, where he learned his trade and remained until 1653.He visited England for the first time in 1650.In 1653 he went to Italy, where he stayed for five years. He then moved to England where he entered the service of Charles II and the Duke of York. He painted Italianate landscapes, especially views of harbors and royal residences. He also produced portraits and devotional pictures and made engravings after the Italian old masters in the Royal Collection. He left England in 1679due to the public hostility towards Roman Catholics after the Popish Plot controversy. He died soon after in Amsterdam.






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